CASA VV (PROCESS) / ARCHITECTURE / 2026
Casa VV continues to take shape. The project is currently under construction, where a series of architectural interventions around the residence aim to consolidate a unified reading of the whole.
ENSAMBLE 01 / OBJECT / 2025
Suspended lamp designed within the framework of the celebration of Retres Edition 03. The use of metallic materials becomes the central theme, leading to an exploration of rhythm, cadence, and materiality in the making of this piece.
SORÁ / ARCHITECTURE / 2024
Designed in dialogue with the topography and surrounding nature, this residence for two families uses transitional spaces to create outdoor areas that integrate views, cross-ventilation, and places for gathering. The project is organized into three blocks—a central living space and two family pavilions—set at different levels to adapt to the terrain and generate courtyards, terraces, and lookout points.
GATO SOLO / INTERIOR / 2024
Gato Solo is a specialty coffee laboratory conceived as a space for experimentation, roasting, and production. Featuring a mobile central bar and functional stainless-steel furniture, the project reduces elements to a minimum to reveal the processes of a precise and delicate industry, incorporating warm accents through local materials. This project marks the first of a series of three developed in collaboration with the Mentiritas Blancas family.
TREE HOUSE MODULE / ARCHITECTURE / 2020
Inspired by the ruins of the region’s châteaux, we developed a proposal of habitable modules that explore subtraction as a spatial strategy. Starting from an initial volume, the project gives rise to two cabins—a 65 m³ suspended unit and a 100 m³ ground-based one—set within the forest to frame views toward the castles, while maintaining a respectful distance from the existing heritage.
MIXO / ARCHITECTURE / 2022
For Mixo Concept Store, we developed a two-story commercial building in the San Francisco neighborhood of Panama City. A podium of brick arches supports a lightweight volume that filters daylight and becomes an urban lantern at night, organizing the store, café, and workshop on the ground floor, with offices and a showroom on the upper level. The project reinterprets architectural elements of the neighborhood to integrate into the context while standing out within the urban fabric.
FITWAVE / ARCHITECTURE / 2020
Fitwave is the second iteration of a conceptual proposal for a sports and research complex in Ciudad del Saber, Panama. The project organizes a diverse program that includes a subterranean scientific research wing, a four-level multifunctional gym, outdoor sports areas, and administrative spaces.
The main volume is positioned between two courts, strategically opening to allow pedestrian circulation while maintaining visual and functional connections between them, integrating with the site’s natural landscape and the grounds of the Kiwanis Sports Club.
OHANA / ARCHITECTURE / 2025
This project is conceived as an introspective residence that redefines the relationship between protection and openness. Toward the exterior, it presents itself as a solid, contained volume; inwardly, it opens onto a central courtyard that organizes domestic life through light, visual connections, and spatial continuity.
LIFE AND DEATH OF THE INERT / TEXT / 2024
A written essay that reflects on the relationship between architecture, matter, and human experience. Drawing from personal experiences and theoretical references, the text explores how inert objects and spaces—though devoid of life—profoundly influence memory, perception, and the dynamics of those who inhabit them, questioning the permanence and transformation of the built environment.
AIRPORT INTERVENTION / PAVILION / 2020
An unbuilt conceptual proposal developed in 2020 for the Ministry of Culture as the result of a public competition. The project proposes an informational and interactive booth for tourists within the airport.
The pavilion is organized around a 7×7-meter square grid, allowing it to adapt to different contexts. A series of autonomous geometric elements house specific cultural programs, using form and color as tools to communicate Panama’s biodiversity and cultural plurality.